NCAC Emerging Artisan 2018/19 (Silversmith)
Ya’ateeh, My name is Irvina Chee. Women Empowerment nishli’, Passion Ba’ shischiin, Resilient Dashicheii’, Empathy dashinali’. Shi Ne’hema dee’naasha’. Those are my “clans” that helped me identify my brand for a Workshop we did with Mr. VanDeever as a part of the Navajo Cultural Arts Program (NCAP). My emphasis in the NCAP program is Silversmithing.
One semester down in the program and I have learned so much more that just how to silversmith. The program is one of the most unique experiences I have ever had in a college setting. Unique and special in all its teachings not just in the emphasis you choose. Day one in the NCAP program started out with a butchering demonstration that all of our bellies appreciated! It was not only a great way to get to know my fellow cohort members, but it also showed us how the NCAP staff works together, how they collaborate with other organizations, and how the cultural arts doesn't just start in the classroom in this program.
Within the silversmith cohort, I have met some very special people! Within the silversmith cohort, I have found a tool to further beautify my heart, mind and surroundings. And within the cohort, I learned what peace of mind can produce. In your hands, solid and ready to adorn. Our first semester, our instructor Anthony Goldtooth had us perfecting our stamp work and finding our own individual styles. He shared stories of his own path to becoming an artisan himself and how he is following in his father’s footsteps, Tony Goldtooth, whom is a Master Silversmith. Those were by far, my favorite stories. Every class was a different teaching on technique and metal manipulation. Personally, I find the art very therapeutic and adaptive to me and a hammer. The beauty left behind, after some buffing and polishing of course, is holisticly satisfying. I absolutely fell in love with it.
I look forward to next semester and to learning new techniques on how to work with metals and stones. I am very excited to soak up everything that the program has to offer in the near future, as some artisans have decided to do all the programs (which you can do too!). I hear there is a Shoe Game we will be attending to learn how Navajo business systems starts with this game. There is also mentioning of field trips to Trading Posts, Museums, and Galleries too. I find it so amazing that no place else on Ni’himá can you get these teachings than at Diné College. I also must say It also does not hurt to have Tsaile provide the appropriate backdrop for such an experience. The campus and the land are beautiful year round.
Thank you very much for the knowledge and opportunity to live my dream. Again my name is Irvina Chee, I am from Marble Canyon Az. Ta”neeszahnii nishli’, Kinlichii’nii’ bashishchiin, Kinyaa’aanii dashicheii, Ashiihi dashnali’. Ahe’hee!
Brandon R. Dinae
NCAC Emerging Artisan 2018/19 (Basket Maker, Moccasin Maker, Silversmith)
Yá'át'ééh t'áá ánółtso. Doone'é nishłínígíí éí Bit'ahnii dóó Hooghan Łání bá shíshchíín. Tł'ógí Táchíi'nii dashicheii dóó Kinłichíi'nii dashinálí. 'Akot'éego diné nishłį́ dóó Tsé Digóní keehasht'į́. Béésh łigai atsidí dóó kéłchí ayiilaa dóó ts'aa' ayiilaa baa da’ííníshta'. Brandon Dinae yinishyé.
(Hello everyone. I am from the Many-Folded-Arms-People clan born for the Many-Hogan-Peopleclan. My maternal grandfather is from the Browned-Banged-Weaver-People clan and my paternal grandfather is from the Red-House-Peopleclan. I am Navajo and I live in Mitten Rock, NM. I am studing Silversmithing, Moccasin Making, and Basketry as part of this year's Navajo Cultural Arts Certificate Cohort. My name is Brandon Dinae)
I’ve wanted to learn to make baskets for years and the NCAP has given me the chance to learn from individuals who have been making baskets for years. In the Fall, in addition to our basket making class with Thomas Yellowhair as our instructor, we have also learned about baskets and basket making in our NIS129 Navajo Cultural Arts Materials and Resource class. As a cohort, we were instructed on harvesting K'į́į́' (sumac) for our Tóshjeeh (water jug) project. This meant jumping in a van and actually going on a hunt. We got to meet NCAP alumni, Waycee Harvey, who is also a basket maker. He accompanied our cohort on the trip to teach us how to find sumac and split it.
I learned a lot of things that day... especially about pollen. Little did I know that K'į́į́' has a very potent reaction on some of its hunters. The pollen for the sumac can induce allergic-like symptoms and, it turns out, I was not immune. For me, this was strange because I’m not allergic to anything - at least not anything that I know of. During gathering, my nose insisted on dripping and I didn’t know why I was sneezing profusely. After we gathered what we needed, Waycee showed us how to spit the sumac. While getting used to the taste of the sumac branches our workshop leader informed the class that our reaction to the plant was caused from pollen of the K'į́į́' Bi'áád (female sumac). Thanks, Teach 😂! Now I know what sumac pollen feels like.
The trip was a success and I had picked enough K'į́į́' for the weaving portion of my project. Once we got home, I worked on splitting and gathering jeeh (piñon sap). In class, I learned from Thomas Yellowhair how to sew the jug, attach handles, and cover the piece with jeeh, making it water proof.
I am extremely excited for spring and learning to weave the ts'aa (ceremonial basket).
NCAC Emerging Artisan 2018/19 (Weaver)
I am a weaver in this year Navajo Cultural Arts Certificate Program. My cohort member is Tamerra Martin and our instructor is Ilene Naegle. We weave together at the Window Rock Diné College Branch on Wednesday afternoons. It has been great working with these ladies - but through the NCAP, I was able to learn a little more about the cultural arts - specifically silversmithing. Therefore, I would say that my favorite NCAP activity during the Fall 2018 semester (besides going to weave at the Heard Museum) was working with silver and natural stones in our NIS129 Materials and Resource Class.
Most of the people that I know who do silverwork, work in their homes whenever they can. Their homes usually have electricity where the buffering is done with electricity. At one time every thing was done by manual labor. Up to now, it seemed like silversmithing was a costly hobby with a costly initial investment. It takes time, money, and labor to produce quality art pieces. That's why I was excited when one of our workshops was on silver bead making.
In the workshop, Dr. Christine Ami presented on types of metal (copper, brass, silver, gold), different gauges, and variations of the natural stones. She even mentioned how coins were originally used by Navajos for silversmithing. Dr. Ami had some high quality handmade- jewelry pieces that her husband had made. She gave us tips about buying materials and selling the art pieces. I don't think such advice is clearly given to new artists so freely.
At the end of the Dr. Ami's presentation, the former 2017/2018 Miss Navajo, Crystal Littleben did a hands on workshop. Miss Littleben was very helpful and attentive. She worked with us on cutting, stamping, soldering, and buffing of the silver beads. We started with copper and then moved into silver once we got an understanding of the process. I know everyone had a memorable day at this workshop because it was fun and interacting. At the end of the day, we produced an art piece. Thank you both, Dr. Ami and Miss Littleben, for your time, skill, knowledge, patience and everything else too 😄. Now, these two ladies not only know the art work but both are very smart, supportive when working with people.
NCAC Emerging Artisan 2018/19 (Moccasin Maker, Basket Maker)
Shi’ Cherilyn Yazzie yinshi’. Hona’gha’ahnii nishli, To’tsohnii ba’ shishchiin, To’di’ch’iinii dashicheii, ‘A’shiihi’ dashina’li. Dilkon, AZ dee’ naasha’. I am part of the 2018/19 Navajo Cultural Arts Certificate cohort. My traditional emphasis areas are moccasin making and basketry. One of my favorite activities during the Fall 2018 semester was the opportunity to travel with our moccasin class to visit our instructor, Harry Walter's hogan studio in Cove.
Cove is so beautiful.
I’ve never been to Cove before. Driving up to this community in the fall is visually striking - red sand stone rocks sprinkled with seasonal golden leaves. And just like the rest of our reservation it has such a rich history.
On this November day, my fellow moccasin makers joined Mr. Walters for a workshop session in his hogan studio. I wanted to work on my moccasin patterns. I took three-foot tracings from my sister and two of my nephews. I admit... I had not really paid attention to the tracings until it was time to start making the soles. Only then, after working for two hours, did I realized that all three tracings were the same size! 🤦🏽♀️
At that point, we stopped to have lunch. I guess I needed the break! ☺️ That's when I learned something new about Mr. Walters... #Mrwaltersfunfact1: He knows how to make one mean stew. It was delicious and we all had two bowls. I know what you’re thinking.. "She’s so bidi" 😂!! When we were done with lunch Mr. Walters has a special treat. #Mrwaltersfunfact2: He is an A+ entertainer! He played his guitar and sang two songs for us.
After our private concert, we took a trip to the family camp site where Mr. Walter’s told us a story about how a group of Navajos had evaded capture from the Spanish invaders. As we toured throughout his backyard, I came to find out that Harry Walters is like a walking google search. #Mrwaltersfunfact3: He knows so much about Navajo culture and history and is so willing to share those with his students. Every time Mr. Walters tells a story, my mind always wonders and I imagine his words are written in a book. It doesn't matter if it is in the classroom or at his home.
This past Fall semester, I felt so lucky each week to go to class and I am excited to pick up this Spring semester with Moccasin Making II. I’m surrounded by awesome cohort members and the instructors have been so knowledgeable, sharing a lot with us. I’m always just thankful to be apart of this experience. I learn something new each time I come to class.
This Spring semester, I am looking forward to practicing moccasin patterns. As of today, I have down the patterns for the size 8.5 and 6.5 shoe size. I am also counting on learning more #Mrwaltersfunfacts If you know some, be sure to add them below in the comments :)
Emerging Artisan, 2017-18 Cohort
One of my favorite experiences has been going to the Phoenix Heard Museum Indian Market. On the weekend of March 2, 3, & 4, I traveled with my peers to Phoenix. Although I have traveled to Phoenix a lot and even occasionally visited the museum, I had never really attended the Indian Market until this year. Around 1986 or 1987, when the market was in its infancy, I came to one of the first events that eventually became the Indian Market today. Back then, the event was very small and Native Americans did not have to pay admission to attend. So when we were told we were attending this year’s event, I was anxiously anticipating the event.
To say that the Market had grown is an understatement! Never having seen the enormity of the event that is held nowadays was overwhelming. Sheryl, the NCAP Assistant, had a whole agenda for us. The first evening we attending the Best of Show reception where we got to mingle with people. I got to reunite with an old friend from San Felipe Pueblo who is a potter. We had not seen each other since 1998 so we were able to catch each other up. The best of show exhibit was amazing! I particularly liked the photography and will make plans on entering the show in that category in the future.
Saturday I went to all the booths and made some good connections with certain artists such as Joe Cajero, Jr of Jemez Pueblo, Eric Fender of San Ildefonso Pueblo, and Sally Black, world famous Navajo basket maker. One of the best things I saw was a young teenager splitting feathers to make arrow fletching! His skill was mesmerizing! Another contact who is important to mention is Sarah Greenfield, who I found out is one of the board members of the museum. She was my Jr. High School Counselor. I’d like to talk with her about helping me get a moccasin making demonstration set up at the museum - so keep an eye open for that. All in all, I thoroughly enjoyed my experience. I liked that our NCAP family was able to spend this time together and have a great time. I definitely have some ideas about how I will get into this venue!
If you have time during the Navajo Cultural Arts Week, swing by Monday evening to the RC Gorman Room on the second floor of the NHC from 5-8pm. I'll be hosting a Sumac Splitting Workshop there! AND stop by the NHC Museum to vote for your favorite pieces. The winner will receive the "Community Choice Award."
A posting by Carlon Ami, NCAP Intern
I'm not sure anyone believes me when I tell them that I learned to drive a tractor before learning to drive a vehicle. Either way, this is fact. Also important to this fact is that I learned very early in my tractor use that things break. Now that equipment is not cheap, and you have to learn how to either hide what you break (like my uncles do) or get it fixed. Thankfully, my older brother is a pretty awesome welder.
I don't say this just because he's my brother or because he has saved my butt more times than I can remember but because he taught me a critical lesson once. I was stressed because I somehow bent the support beam of the blade that keeps it perpendicular to the surface of the ground. There was no way that thing could be fixed, I almost just bought a new one. He had me bring it to him, he checked it out, then got to work.
Over the course of a couple hours we laughed, sweated, cursed, and learned. His advice: "Just take it apart and put it back together." Since welding is very closely related to soldering I apply that same concept to jewelry fabrication. How do I make this fit? Is this going to be strong enough? Can I do this? The answer: of course you can.
Don't let convention limit you. If you can reasonably imagine it, you might be able to build it. If it doesn't work out, you can always melt it down later for casting material.